Posted on October 22, 2016
Autumn has arrived here in the Calder Valley. It’s not quite at its peak yet, that will probably take the first frost of the year to bring on, but already the hillsides are peppered with yellowing leaves. Here’s a shot from back in 2012 of a particularly vivid autumn day in early November. This was shot on a 1st generation X100.
Posted on September 26, 2016
I’m travelling back to Aberystwyth for a reunion with some of my old university mates at the end of the week so it seemed fitting to dig out a shot from the town to share here. If you’ve not heard of Aber, it’s a wonderful little seaside university town, roughly in the middle of the Cambrian coast in Wales.
In other news I’ve decided to part with my little X100T now Fuji has launched the 23mm f2. I couldn’t really justify having both the X-Pro 2 and X100T as the overall shooting experience is so similar. I fully expect the new Fuji lens to run rings around the quirky optic in the X100 too. I now pretty much have my dream prime setup – 14, 23, 35, 60 and 90. I’ll be curious to see whether the 50mm f2 they launch next year might be able to replace the 60mm, although it has big shoes to fill. It’s too bad it’s not a 56mm f2 as 50 feels a little short to me.
Posted on September 7, 2016
The very first lens I bought to go with my X-E1 kit back in 2013 was the 60mm f2.4. Back then there were precisely 4 X-mount lens to choose from; the 18mm, the 35mm, the 60mm and the 18-55mm zoom. Not much compared to today’s lineup! At the time I wanted a lens I could use for some portraits at a friend’s wedding, so I bought the 60mm as it’s a reasonable focal length for that purpose.
Unfortunately the day of the wedding was incredibly gloomy and overcast, to top it off the venue itself was very dimly lit. If you remember what it was like trying to shoot an X-E1 on 1.0 firmware with the 60mm 2.4 also on 1.0 firmware back then, you can probably guess that things did not go well! The focus was grindingly slow and frequently failed entirely, I got a few shots, but overall the experience had me wondering if I’d made a terrible mistake switching away from a DSLR.
Thankfully over time the firmware of both the X-E1 and lens were improved and the performance moved from nearly unusable in imperfect light to just about passable. In good light the lens performance was already much better and while still no speed demon, subsequent updates have helped to make it a little snappier. Where it fell down in speed, it made up for it in rendering; producing images packed with detail and with a lush creamy bokeh that blew my 18-55mm wide open at 55mm out of the water. I grew to really enjoy using it for landscape, street and the odd bit of macro photography.
After about two years of using and enjoying the lens tremendously I found myself starting to get a lot of missed shots where the camera had claimed to focus and where the image looked sharp enough in the viewfinder, but where the whole image was noticeably out-of-focus when viewed up large. I’m not sure if this was just a run of bad luck, the result of a firmware update or something else (the lens would still reliably focus enough that I was sure it wasn’t broken). Anyway I decided I’d had enough, so I put it on eBay and bought the 55-200mm f3.5.-4.8.
A few months later I found myself in possession of an X-T10 and missing the 60mm as a compact and lightweight short telephoto option. With a holiday coming up that I wanted to pack fairly lightly for, I decided I’d reacquire a copy of the 60mm and give it a second chance. After looking on eBay I found one in mint condition at a bargain price of £219 and snapped it up. I’m pleased to say the performance and focus accuracy of the lens paired with the X-T10 is hugely improved. It’s still not going to satisfy those trying to capture fast action, but for most other uses it’s now a solid performer and I’ve not had any more false focus confirmations.
Build and Handling
As with all Fuji XF lenses, the 60mm is well made in a mixture of quality plastics and metal. As one of Fuji’s older lens designs, it’s doesn’t feature internal focusing and the front element can extend out of the lens barrel by around an inch at macro distances. At non-macro working distances it barely moves from the main lens body at all.
The lens features an awkward 39mm filter ring size, which it shares only with Fuji’s 27mm f2.8 pancake lens and precious little else from other manufacturers. This can make finding filters a challenge. To make matters worse, Fuji decided to recess the filter thread behind the outer ring of the lens barrel. This means the only way you can fit a step-up adapter is to knock out the glass from a 39mm UV filter and use that as a go between to give the necessary clearance from the filter ring to the front of the lens. It’s a messy solution, but if you need to use ND filters or a polariser it may be your only option. If Fuji ever releases a mark 2 version of this lens I hope it’s an area they address.
The 60mm has a large, smooth turning focus ring that will let you dial in precise adjustments when shooting in macro. The only downside to this is that it can make demounting the lens a little tricky, as there’s very little of it that is non-rotating. The aperture ring offers a decent level of resistance and isn’t too easy to change accidentally (unlike say the 35mm f1.4 or the 14mm f2.8).
As one of the original three lenses that launched the X series, Fuji was kind enough to bundle a high quality metal hood, complete with vents to improve its handling on X-Pro bodies. The hood is really big – it nearly doubles the overall length of the lens when attached. I find I rarely carry mine any more. The front element is deeply recessed already, so the hood doesn’t offer that much more physical protection and it’s already fairly hard to make the lens flare. The hood can be reversed for storage, but unfortunately then completely blocks the aperture ring and makes it near impossible to dismount the lens from the camera body.
Note: The three original Fuji lenses (18, 35 & 60) all share the same physical hood mount, which makes them interchangeable – albeit with caveats. On the 60mm the 18mm’s hood will block the front element at macro distances but I hear the 35mm’s hood will work quite well with it and doesn’t vignette.
As I mentioned in the build up, the detail and overall rendering from this lens is very pleasing. It produces lovely creamy bokeh and thanks to its 9 blade aperture, out-of-focus highlights remain nice and round even when stopped down – a feature that curiously sets it ahead of Fuji’s fast portrait primes. You can get decent subject separation at f2.4 when shooting portraits, although obviously it’s not in the same league as the 56mm f1.2.
The 60mm isn’t fully optically corrected and some digital distortion correction is applied both in camera and by Lightroom. The only way to avoid that correction is to use a RAW processor that lets you turn it off, such as Iridient Developer. Thankfully the corrections applied have a minimal impact on the overall image quality which remains high throughout the range, only really falling off as you start to push past f11. In my limited testing so far, the 60 seems to hold its own on the new 24 megapixel X-Trans 3 sensor.
Roll over this image to see the pincushion distortion that the lens has when uncorrected. The slight change in colours is down to one image being processed in Lightroom and the other in Iridient.
It’s easy to forget this is a macro lens as I find it such a versatile focal length for landscape and portraiture – but it does have the ability to focus as close as 26cm (just under 1ft) and produces a 1:2 magnification. That certainly won’t satisfy hardcore macro shooters, but as a handy addition to an already versatile lens it’s a welcome feature.
I think the 60mm has always been a bit of an underrated lens in the XF lineup. Being both optically very decent and a versatile focal length, but struggling to shake off its early reputation for sluggish performance. While that reputation used to be well deserved in the early days, Fuji has advanced focus speed in its recent cameras by leaps and bounds and the 60 benefits from that a lot. It will never be anyone’s first choice for fast paced sports or action photography and it will likely remain overshadowed by the 56mm f1.2 for portraiture. However for people like me, who have persevered and gradually been rewarded by Fuji’s kaizen philosophy, or those who are just now entering the Fuji system with a modern camera body, it’s a lens that has a breadth of utility that remains unmatched by any other prime on the X system. Portraiture, street, landscape, macro – no other single Fuji prime can offer that range of versatility at the present time. The 60mm will remain a very special piece of glass for the foreseeable future, despite its few quirks and shortcomings. Let me leave you with a selection of some my favourite images that I’ve taken with the 60mm over the last few years.
Posted on September 6, 2016
I have a new review waiting in the wings for publication tomorrow, but until then here’s another image from the archives. In other news I’m now the proud owner of a lovely new X-Pro 2. After six years stuck at 16 megapixels it’s a bit of a revelation to have 8 more to play with and the high ISO performance is amazing me. ISO 6400 and 12800 are really good!
This image was shot on my 1st generation X100 with the WCL-X100 wide angle converter attached. As was often the case, I forgot to set that I’d put the adapter on the camera in the menu, so it’s wrongly recorded as being shot at 23mm rather than 19mm.
Posted on June 20, 2016
The X100 series cameras from FujiFilm are a joy to shoot with out-of-the-box, but they benefit enormously from a few essential accessories. These improve the ergonomics, add a little physical protection from bumps and scuffs and make them even more gorgeous to behold.
The Fuji case comes in two parts, a lower half-case that protects the bottom and sides of the camera and a removable upper case that protects the lens, rear screen and top of the camera, naturally you can’t use the camera while this part is attached.
I had the official Fuji case for my 1st generation X100, and while it looked great and provided good protection for the camera, it was a bit of a pain to use. You had to remove the whole lower portion just to change the battery or memory card. Not ideal on a camera that chews through batteries quickly. Thankfully since then Fuji has learned how to add little button up flaps to their cases to make the battery and SD card slot accessible. Unfortunately they are still omitting a tripod mount, so you’ll need to remove the case to mount the camera on anything. The case also blocks the ports on the side of the camera which is a nuisance if you need to use a cable to transfer photos or charge the battery.
The case is made of black leather (a brown version is also available) with a smooth, completely untextured finish. Inside it has a dark grey, felt-like lining. The case is secured to the camera by little loops that fasten over the camera’s strap lugs. When using a wrist strap the case is only secured on one side, but it has a snug enough fit to still remain firmly on the camera without flopping about or sliding off. Whether this will loosen up over time of course remains to be seen.
Speaking of the snug fit, this case was originally designed for the X100/X100S body, and the X100T made some minor changes to that which mean the fit is a little tighter. The alignment of the battery access flap isn’t quite perfect as a result and I find I have to gently press the camera into the front of the case in order for it to spring open. Not a big deal, but not ideal given the cost of the case. It’s also worth mentioning that you’ve no hope of securing the upper part of the case with any accessories attached, so you’ll need to remove thumb grip, filter adapter and lens hood. For me I find this relegates the upper case to when I need to protect the camera during travelling, where I’m not intending to actually shoot with it (e.g. buried in a rucksack).
Honestly I think Fuji could do a little better for the money they charge here. If you’re not fussed about having full camera protection you might want to look at some of the premium half-cases from other manufactures like Gariz.
LightPriority rating: 3/5
If I could only choose one accessory for my X100T, it would be a thumb grip – they make such a big improvement to the handling. Without one you only have a tiny area to actually grip the back of the camera without inadvertently interacting with the controls.
If you live outside Japan you only really have two choices* when it comes to quality thumb grips for Fuji cameras; Lensmate and Match Technical. Fuji actually make their own for various models, but only sells them in Japan. Match Technical charges astronomical sums for theirs, as they primarily target Leica customers, so most mere mortals will probably choose Lensmate.
Unfortunately getting hold of the Lensmate grip in the UK proved to be quite a headache. They only sell via their website and the first one I ordered went missing in the post. It took Lensmate’s customer service people a lot of persuading to send me a replacement, as it had been marked as delivered by the courier. When the replacement did come I inevitably got whacked with a customs charge.
Anyway delivery woes aside, the grip itself is excellent. It comes in a premium box with a magnetic clasp. It fits snuggly into the camera’s hotshoe and has a little rubber gripper underneath to ensure it’s not going to come out without a good tug. As it’s designed for the X100T specifically, it doesn’t block the drive button or command dial. A rubber bumper braces the grip against the side of the camera and a rubber pad inside the end of the grip helps to prevent your thumb slipping.
LightPriority rating: 5/5
* It’s worth noting you’ll find tons of cheap generic thumb grips on eBay/Amazon Marketplace, but most are poorly designed and are not targeted at any specific camera model. As they nearly all lack any kind of bracing against the camera body, they put a lot of leveraging force on the hotshoe, which overtime is likely to damage your camera.
I’ve always been a neck strap kinda guy, as I prefer to keep my hands free, but as I often carry my X100T in addition to my X-T10, having both on neck straps quickly gets impractical. I was tempted to get another Gordy’s strap as I love the one on my X-T10, but burned by my recent experience buying from the US with Lensmate, I decided to try buying a strap from a UK company called Colourful Camera Accessories. They didn’t have a huge selection of wrist straps, so from the limited selection I opted for a Cam-In brown leather model.
Despite being described as brown, it’s so dark in colour as to almost look black. Still the colour works well with my black X100T and case, so no problem there. The leather is a bit on the thin side (about half the thickness that Gordy’s use) but should be sufficient to handle the weight of the X100T without any undue risk. As with all leather products, it takes time to break in and soften up, so I expect the comfort using it to improve over time. Overall it’s decent enough quality, but not up to the standard of Gordy’s – which is disappointing given the comparable price.
LightPriority rating: 3.5/5
After a lot of research trying to find a good quality compact camera bag, suitable for a mirrorless camera with one or two small lenses, I finally settled on the Domke F-5XA. It’s ideal for holding a camera the size of the X100T, along with a mini-tripod or converter lens. If you don’t plan to stow your camera itself, the bag is handy for holding a couple of lenses and other accessories in combination with an interchangeable lens Fuji.
The bag is made from tough canvas that has been treated to be water resistant – I can vouch that it certainly resists light rain well. A flap secured by velcro hides the two front pockets and a chunky zipper guards the main compartment. The front pockets are suitably sized for spare batteries or filters (but not much else)
The easily detachable strap has rubber cords woven into it that make it very grippy and unlikely to slip from your shoulder. This is far preferable to those Velcroed on shoulder pads you get with many camera bags, that always end up slipping down the strap.
The only real niggle I have is that the bag only comes with one internal separator which can make organising smaller accessories tricky. Handily I found a divider from another old camera bag that was the right size and used that to create a very narrow pocket just big enough for a LensPen, white card and spare battery.
I have the black version of the bag which manages to look fairly anonymous, even with the Domke logo emblazoned on one corner in red lettering. The bag also comes in khaki and olive green colours, but not Domke’s “Rugged Wear” waxed finish.
LightPriority rating: 4.5/5
Aside from the white printed JJC logo, this is identical to Fuji’s far more expensive hood and filter adapter. As with Fuji’s offering, it part blocks the optical viewfinder and the hood is non-reversible. JJC do make a smaller domed lens hood which I’m hoping to try soon. That should block the OVF no more than just the plain filter adapter. Unfortunately the JJC hood doesn’t come with the little fabric pouch that the official Fuji model has, but then it’s a fraction of the price so it’s hard to complain.
LightPriority rating: 5/5
I hope these mini-reviews are helpful to X100 series camera owners. It might seem a little over the top adding tons of accessories to a camera, but they really do add to the overall experience and make the camera even more of a pleasure to shoot with. If you have any questions about any of the gear I’ve reviewed here, leave a comment and I’ll try and answer as best I can.
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