Where better to spend the day after the coldest night of the winter, than a derelict mansion riddled with broken windows, standing around behind a camera? Well that’s how I spent the 3rd of February – at Woolton Hall, a once grand, but now semi-derelict mansion on the outskirts of Liverpool. The event, organised by photographer John Ayliffe, brought together a number of photographers, models and makeup artists. I officially went as an assistant to my friend Rob Lycett and helped him lug his gear to the second floor and with lighting models.
I’ve been keen to try shooting my film cameras with studio lighting and this was the perfect opportunity to try it out. I went with my Bronica SQ-Ai medium format camera and my Vivitar v335 35mm SLR to shoot with my Pentax glass. (I’d have loved to use my Pentax MX, but didn’t want to be restricted to its meagre 1/60 flash sync speed).
The Bronica was loaded with good old HP5+ and owing to a sudden parting of the clouds, was mostly shot with natural light as it was just do damn gorgeous in the room we were in. The Vivitar on the other hand had the sublime Kodak Portra 160 loaded in it and was used extensively with Rob’s studio lighting setup. The light setup most used was a giant softbox on a boom to provide fill light and a gridded (or in some cases bare) speed light to add rim lighting or more directional hard lighting. We also made good use of a large reflector, both in the naturally lit shots and the strobe ones.
The models were all very professional and took the freezing conditions in their stride – helped by a copious number of hot water bottles and some time basking by infrared heaters, in the one part of the mansion where the electric still worked, between shoots.
Overall it was a great experience and something I hope to do again, albeit preferably in warmer conditions next time!