The Right Stuff

The Right Stuff

There’s no denying that Fuji’s retro styled cameras are things of beauty as well as incredibly powerful photographic tools. With that in mind, when it comes to customising them to personalise and improve their ergonomics, it behooves us to complement rather than degrade that classic look.

The X100 Spoiled Me

I got my X100 secondhand on eBay, at the time for a very respectable sum of £659. It came with every accessory you could want – the leather case, the lens hood, soft release and even a Thumbs Up grip. After totting up the value of these accessories I was initially sorely tempted to put them up on eBay and just keep the X100 itself, but I quickly realised they really complemented the camera, not just visually but practically. The case protects the camera from knocks and scuffs and keeps off light rain. The Thumbs Up grip significantly improves the handling, making one handed operation much better. The lens hood is of course essential, especially with the X100’s lens being a little prone to flare. Although mainly it provides some protection to the front element and provides a useful 49mm filter ring. The only accessory I didn’t find myself using was the soft release, which has stayed in a drawer until recently finding a home on my X-E1.

As I got my X-E1 new I didn’t have the luxury of having several hundred pounds worth of accessories thrown in. Initially I tried my X100’s Thumbs Up on it as the top plate has basically identical dimensions. It fitted reasonably although needed to protrude a little further to mount properly. I quickly decided it was unnecessary. The bare X-E1 has better ergonomics than the X100 right from the outset and its larger lenses deter one handed use in my experience.

Half Case

When it came to getting a case I looked at some of the 3rd party half cases but decided to stick to Fuji in the end. The X100 leather case is lovely and very nicely made. Its main short comings are lack of a tripod mount and no access to the memory card and battery slot. The X-E1 half case fixes the most serious issue by making the memory card and battery slot accessible through a little flap. The X-E1 case also significantly improves the finger grip on the right side of the lens, giving you a better hold on the camera.

Where the X-E1 case falls down, is the supplied strap. To put it bluntly, it’s a piece of crap. The leather backed part is far shorter than the X100 version, the backing is cheap, plasticy and rough edged. I decided I needed to find a 3rd party strap to replace it almost immediately.

Neck Strap

I learned about Gordy’s Camera Straps from the excellent Fuji X Files blog. They custom build leather camera straps, letting you pick the exact length, colour, neck pad and lug covers. I was impressed with how reasonable the price was and decided to order myself one. I’m glad I did because it’s an excellent strap. Thick leather, very nicely finished. As with all leather goods it takes a little while to break-in, but after only a few photo walks it’s already becoming nice and supple.

DSCF0719

Soft Release

As I previously mentioned, I didn’t find the soft release necessary on my X100. The shutter button is big and comfortable enough to use unadorned. However the shutter button on the X-E1 seems slightly smaller and something about it doesn’t feel quite as sure beneath my finger. The soft release nicely corrects that and provides a big concave surface to rest my fingertip against. The shutter button is such a critical part of a camera getting the right feel is important.

Other bits and pieces

As a former Nikon shooter I’m used to having scuffed bits of plastic screen protectors on my cameras. With the X100 I didn’t bother, the full case keeps the screen well protected and I’ve yet to put the slightest mark on it. With the X-E1 I’ve not been quite so lucky and managed to put a slight scratch on the screen after just a couple of months. I’ve since bought a Swido Diamond Clear hard screen protector that is doing an admirable job of protecting it from further damage.

The other must have accessory for your Fuji camera is a bit less glamorous but critically important – spare batteries! The Fuji’s like to chomp through batteries at a speed that will shock DSLR owners who are used to weeks if not months between charges. I’ve got several generic spares for my X100 and a single spare for my X-E1. You can buy official batteries if you like, but I’ve not had any problem with generic ones.

Old Lenses, New Tricks

Old Lenses, New Tricks

When I got my X-E1 I decided to get a mount adapter so I could try out some old film lenses to open up some more creative possibilities. After a bit of research it seemed like m42 screw mount lenses would be ideal. They’re cheap and plentiful as the mount was popular across a wide range of cameras for several decades. I mentioned to my Dad I was interested in getting some m42 lenses and it turned out he had some near mint condition Pentax Takumar’s from his college days. So I took possession of a 50mm f1.4 SMC Takumar and 135mm f3.5 Super Takumar. These old lenses were made at just the right sort of time to have damn good optics and have basic lens coatings which help minimise flare and improve contrast.

DSCF0581Summer, 135mm, 1/500 sec

Both lenses have nice bokeh, the 50mm in particular. The 135mm can show some quite pronounced bokeh fringing wide open so is best used stopped down slightly, at least if being used for a colour shot. It’s impressive how sharp they both are considering their age and the demands placed on them by a 16 megapixel APS-C sensor.

DSCF0859Canalside Garden, 50mm, 1/100 sec

I find focusing the lenses fairly straight forward using the magnified view to check for critical focus.  The X-E1’s 2.0 firmware which added focus peaking definitely makes things easier still. Shooting moving subjects is undoubtedly a challenge so you need to carefully consider your composition and pre-focus as much as possible. The 135mm’s focus ring requires a considerable amount of turning to go through its range which has the advantage of making focus very accurate, but the downside that it can be frustratingly slow if you’re in a hurry.

DSCF5514Impervious to Water, 135mm, 1/320 sec

There are lots of great m42 lenses out there that are easy to adapt to use on mirrorless cameras (and less easily on Canon and Nikon DSLRs). If you stick to names like Pentax and Zeiss you won’t go far wrong. Of course there are plenty of super cheap lenses from obscure branded Russian, Japanese and German companies and some may be fantastic, but it will be a lot more hit and miss. The older a lens is the more likely it will have performance issues on today’s cameras, so if you want a lens not just to use as a toy or special effect purchase, go for a later model with coated glass. Also beware of dust and fungus – never buy old lenses from sellers who don’t show you the innards or at least guarantee the glass is clear. A few dust spots won’t hurt and are inevitable, but fungus and other nasties will degrade the optical quality. Also make sure aperture rings are functional as they can seize up after decades of inactivity. On auto m42 lenses you may need to adjust the auto/manual switch before the aperture will close so beware of that.