This shot was taken at the 2017 Hebden Bridge Steampunk Weekend. Captured with my Bronica SQ-Ai on Rollei CN200. These kinds of festivals where people dress up in costume are a great way to break your anxiety of shooting strangers on the street, as they usually both want their photo taken and will pose themselves for you! I got some great shots of the various attendees but they were all somewhat mired by either my poor developing of the CN200 or the film’s poor performance. I’ll have to try it again sometime, but for now I think I’ll stick to Portra for my medium format colour!
Now this image is from seriously far back in my archives – it was taken in the beautiful Cwm Ystwyth Valley in mid-Wales and dates all the way back to 2001. Unfortunately I don’t know the exact date it was taken, as at some point in the past Photoshop seems to have wiped the Exif data from the file. It was shot on my very first digital camera, a Fuji FinePix 1400 Zoom. That camera boasted such specs as a 38-114mm equivalent zoom lens and a 1.3 megapixel CCD sensor. Images were recorded on 16MB SmartMedia cards, remember those things?
As 2017 is rapidly drawing to a close I thought I’d try and get in one last post for the year. We’ve had an unusually snowy December which has been great for photography – even if it has meant slipping and sliding around and having to blast the central heating a bit more than usual to ward off the chill. This image was captured on the edge of Erringden Moor and shows the route towards Haven Lane.
Incidentally this year I’ve been working on a bit of a mini-project photographing stiles and gates which I’ll try and get put together into a post next year. Finally let me wish you happy holidays and I hope you’ll join me in raising a glass to another year of photographic discovery.
This shot was taken in Sheffield last autumn and had been forgotten about until I rediscovered it the other day. Even though I try and run a fairly tight Lightroom catalogue and make periodic purges of poor, duplicate or uninteresting shots, it’s hard not to accumulate thousands of images and quickly lose things you don’t flag for further attention.
This shot was actually processed in camera, because try as I might, I couldn’t get the colours looking how I wanted in Lightroom. Fuji’s film simulations (in this case with a bit of custom pushing and pulling) can produce some great results.
Time inexorably slips by and I realise I’ve not updated this blog in far too long – so to break the silence here’s another image from my archive. This was taken fairly recently, returning from a trip to Manchester a few days after the awful terrorist attack there. Trains were still not running to or from Victoria so I had to change at Rochdale where this shot was taken in the underpass beneath the platforms. I call it ‘Underlined’. Shot on my X-Pro 2 with the 23mm f2. It was a spectacularly bright and sunny day, so the strong highlights and deep shadows begged to be portrayed in black and white and allowed to block up into something inky and graphic.
Crepuscular rays over the ruined Red Dykes farm house, nestled on the hillside above Withens Clough reservoir. When I first acquired the 90mm f2 last summer, I struggled with it as I wasn’t used to using such a long prime. However over time I’ve come to really enjoy using it for landscape and detail work. It’s stunningly sharp, has wonderful bokeh and can produce really nice sunstars. It blows the 55-200 out of the water in these regards, although I often miss the image stabilisation that lens offers when I’m forced to shoot 1/200 at a minimum to ensure good sharpness with the 90.
Bit of a late one this year, but at least I’ve not missed new years yet! I blame this awful cold that’s had me housebound for the last few days. Hope you’ve had a great Christmas.